964 Pinocchio (1991) is a disturbing and unforgettable entry in Japanese cyberpunk horror cinema. Directed by Shozin Fukui, the film follows the titular character, a lobotomized cyborg created as a sex slave who is discarded by his corporate owners when he fails to perform. Abandoned and malfunctioning, Pinocchio 964 wanders the dystopian urban landscape, forming a strange connection with a mentally unstable woman while being pursued by the corporation that now wants him eliminated.

The film's raw, low-budget aesthetic perfectly complements its nightmarish narrative. Fukui's direction creates a disorienting atmosphere through jarring editing, aggressive sound design, and grotesque practical effects that have earned the film its cult status. The performances, particularly from Hage Suzuki as Pinocchio, communicate profound trauma and dehumanization with minimal dialogue, relying on physical expression to convey the cyborg's awakening consciousness.

Viewers should watch 964 Pinocchio for its uncompromising vision of body horror and corporate exploitation. While challenging and intentionally abrasive, the film offers a unique perspective on identity, memory, and resistance in a technologically controlled society. Its influence on subsequent cyberpunk and experimental horror is undeniable, making it essential viewing for fans of boundary-pushing cinema from Japan's underground film scene.